| Artist Books / Current Projects: Stone
Michael Andrews 6/11/2004 apeiron@beachnet.com |
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Catalog Description of
Stone
Digital Edition
by
Michael Andrews
The work collected here under the title of Stone represents both poetry and photography that spans nearly every one of my major projects. Stones, it seems, are ubiquitous.
The two major
categories relating to stone are stone found in the natural ecosystem and stone
worked by human artisans as found in archeological ruins and other monuments.
Work regarding stone as found in its natural state is derived largely from two
projects, RiverRun and The Place Where I Will Die. The San Juan
River in Southern Utah, as represented in RiverRun, probably represents the
widest variety of stones. I am not a
geologist, but I do suspect that the varieties found in the territories that
surround deep river canyons is probably greater than in most other natural
areas. It seems to not only come in more flavors but the stone also comes in
more shapes, sculpted by river, wind, ice and glaciation.
The stone found in The Place Where I Will Die is most often granite, sometimes forms of
igneous rock such as obsidian, and the odd variety of crystal such as quartz.
Fool’s Gold played a very large part in our lives for that brief moment
remembered as childhood. Obsidian was most likely carried by Indian populations
from more remote sites such as the Devil’s Postpile, brought to summer camps
and worked into arrowheads, knives, axes and scrapers. In terms of style, the
stone in the Sierra Nevadas runs to the monumental, solemn, stately, solitary
and grand. On the other hand we also find the intimate and friendly feeling of
stones tumbled for geological eras in beds of streams. When I see new roadwork
desecrating the wilderness it is somehow jarring to find something like crushed
gravel, an alien and unnatural form of rock.
As for the human
use of stone, it is most often represented by work that pertains to
archeological ruins and other monuments, such as; Troy, Delphi, The Acropolis,
Knossos, Stonehenge, Notre Dame, Chaco Canyon, Canyon de Chelly, Taos,
Teotihuacan, Monte Alban, Mitla, Palenque, Tikal, Sechin, Paramonga,
Pachacamac, Sacsahuaman, and Machu Picchu. Often this is stone incorporated
into monumental structures. It is because of such use that throughout human
history stone has been associated with the sacred. Sometimes it is stone that
has been sculpted as statuary or relief. More rarely, it is stone carved from
the living rock, that is, some sort of stone carving or sculpture still
embedded in its natural matrix, such as the Condor represented in the prison at
Machu Picchu. The Intihuatana at Machu Picchu is carved in situ, and like stone
work found in many places of the world represents an early form of scientific
instrument for measuring the motions of stars, the seasons, the tracking of
time and the necessities of agriculture.
Stone,
incidentally, was also used by the Inca as a means of state execution for
particularly heinous crimes. Boulders were piled on top of the perpetrator
until the life was simply crushed out of him. Somehow, this seems less violent
than the Biblical means of stoning a criminal to death. Another source of imagery is the
metaphorical use of stone or rock in poetry, such as, "granite thoughts /
plummet through the air." Although stone as symbol is found throughout my
work and art in general, I can only guess what makes stone so attractive to
humans aside from it obvious utilitarian uses. My first and vaguest hypothesis
would simply be that stone is enduring. As something so non-volatile, something
so hard and unchanging perhaps it suggests to us the state that we long for our
own fragile and transient spirits to aspire to; a certain peace, a kind of
calm, a sort of imperturbable dignity.
That seems like
more than enough, so I will let it go at that.
6x9 Edition
First Printed 2004
94 6x9 inch pages of text using Antikva and Marlon Book typefaces, integrated with 58 photographic illustrations and printed on 190 gram, Entrada Natural, a 100% rag, archival paper. There are a total of 24 separate photographic pigment prints printed on 300 gram, Entrada Natural. Each print is numbered and signed by the author.
The edition is loose leaf in linen binding with the cover image in a recessed window. The cover image is printed on 220 grit sandpaper.
The standard slipcase is made of Pine, Fir, Redwood, Cedar or Poplar. For an additional $75.00 Oak, Mahogany or Maple may be ordered. For an additional $100.00 Rosewood, Teak, Walnut, Cherry, Padouk or Cocobolo may be ordered. The window is clear lucite. Individual prints are available in various sizes.
Photographic Illustrations
1 Inca Stone, Machu Picchu, 1979
7 Rock & Lichen, Highway 140, Yosemite 2002
8 Troy VII, 1971
9 Lithographic Text, Troy 1971
10 Lion Mosaic, Pella 1971
11 Athena Hygeia by Scopas
12 Hegeso Proxena Grave Stele, Cemetery of Keramikos, Athens
14 The Acropolis Cat #2 1974
15 Acropolis, Dawn 1974
16 Acropolis Collums, 1974
17 Pattern Of Rock #2, San Juan River 1976
19 Hoseynieh Ershad, Tehran 1974
21 Stone Walls, Sacsahuaman, Afternoon Storm 1976
22 Stone Walls, Sacsahuaman, Late Afternoon 1979
25 Stone On Stone, Sacsahuaman 1979
26 Numeric Stones, Machu Picchu 1976
27 Stone & Cloud, Sacsahuaman 1976
28 Intihuatana. Machu Picchu, Huaynpicchu, Clouds 1976
29 Intihuatana, Machu Picchu & Huaynpicchu, Clouds & Stairs 1976
30 Stone Altar, The Urubamba & Huaynpicchu, Machu Picchu 1976
31 Stone Condor, The Prison at Machu Picchu 1979
32 Machu Picchu, Stone Cubicles 1979
33 The Geometry Of Stone, Machu Picchu 1979
35 Tiahuanacan Monolith, La Paz 1976
39 Stream Bed Rocks, Portuguese Creek 1998
40 Stone Gutters, San Juan River 1976
41 Rick Stepping Toward The Sun, San Juan River1976
42 Sandstone Butt, San Juan River1976, facing
43 Gnarled Juniper, Grand Gulch, San Juan River1976
46 The, fate Of Stone, San Juan River1976
47 Hot Stone, Slickhorn Gulch, San Juan River 1976
51 Corbel Passageway, Monte Alban 1979
52 The Author, Monolithic Head, Monte Alban 1979
53 Monolithic Head, Monte Alban 1979
54 Stone Relief, Monte Alban 1979
55 Nightfall, Monte Alban 1979
57 Stairs Down To Pacal’s Tomb, Temple Inscriptions, Palenque 1979
58 Pacal’s Sarcophogas, Temple Of Inscriptions, Palenque1979
59 Stone Jaguar, Relief, Palenque 1979
61 Stone Relief, Palenque 1979
63 Plaza At Tikal, from Temple 3, 1979
64 Hands, Grafitti At Tikal, 1979
67 Tikal, Pyramid 1, from Pyramid 2, 1979
69 The Author, Sundial, Tikal, 1979
70 Sunrise Tikal, 1979
71 Brad Mimics Tummy Ache, Sechin 1979
72 The Author Shooting Reliefs, Sechin 1979
74 Stone Stairs, Caretaker’s Hut, Machu Picchu 1979
76 Stone Ghetto, Machu Picchu 1979
77 Stream, & Two Rocks 1986
78 Seal Rock, Graveyard 2002
79 Salmon Hole In Granite, San Juan River 1976
80 Sandstone Pool, San Juan River1976
81 Stone And Holes, San Juan River1976
83 Stream Rocks, Chiquito Creek
87 Pop At Globe Rock, 1990
88 Blue Rock & Lichen, Highway140, Yosemite #H1, 2002
90 Grave Stones, Graveyard
Photographic Prints
facing 7 Sand & Stones, San Juan River 1976
facing 13 Stones Chattering, San Juan River 1976
facing 18 Stones, Chiquito Creek
facing 22 Sacsahuaman, Wall 19794
facing 26 Sacsahuaman Wall & Cloud, 1976
facing 28 Intihuatana, Machu Picchu 1976
facing 36 Faces Of Tiahuanaco, La Paz1976
facing 37 Rock, face, San Juan River 1976
facing 42 Sandstone Butt, San Juan River1976,
facing 44 Sandstone Pattern, San Juan River1976
facing 45 Alkaline Pool, San Juan River1976 f
acing 48 Flowers In A Crack Of Rock, The Balls f
acing 62 Relief Of Old Man Smoking, Palenque 1979
facing 65 Tikal #1, 1979
facing 73 Inca Stone Tiers, MachuPicchu 1979
facing 74 Intihuatana, Machu Picchu 1979
facing 76 Inca Stone, Machu Picchu
facing 77 Butt Rock, 1976
facing 78 Trickle On Rock, The Balls 1976
facing 82 Stream Rocks, San Juan River 1976
facing 84 Rock, Pine & Lake, Lower Jackass Lake
facing 85 Stone Patterns, San Juan River 1976
facing 86 Globe Rock
facing 88 Blue & Yellow Rock, Highway 140, Yosemite #V1, 2002